These are the first offerings from the Isley Brothers’ T-Neck record label, and many consider special because Jimi Hendrix played lead guitar on them. However, these tracks bombed as singles. “Testify” is noisy and congested, too much is going on. Hendrix’s guitar is prominent, and identifies him as conclusively as a DNA sample. The Isleys imitate popular singers Stevie Wonder, Ray Charles, and James Brown on “Testify,” but the imitations are weak and sound like clones of each other. “Move Over and Let Me Dance” has some of “Testify”‘s problems but works a little better, it has a danceable groove and a much better hook. The only soft selection is “The Last Girl,” which has an airy sound, and features a rare laid-back vocal from Ron Isley during this phase of his career. Hendrix fans will love this, but fans of the Isleys’ later stuff will not be impressed.
Love Is is a double album by Eric Burdon and The Animals which was released in 1968 in both the United Kingdom and United States. It was the last album released before The Animals’ second dissolution in 1969. An edited version of the track “Ring of Fire” was released as a single and peaked at No. 35 in the UK pop charts, breaking the top 40 in Germany, Holland, and Australia as well.
Aside from the self-penned “I’m Dying (or am I?)”, the album consists entirely of cover songs with extended arrangements by the Animals and sometimes even additional lyrics and musical sections. The entire Side D is occupied by a medley of songs originally by Dantalian’s Chariot, a former group of band members Zoot Money and Andy Summers. Dantalian’s Chariot archivists have been unable to locate a recording of “Gemini”, and it is possible that Eric Burdon and the Animals were the first to actually record the song.
This album captured the only studio work of guitarist Andy Summers with the group. The recording of Traffic’s “Coloured Rain” includes a guitar solo by Summers which runs a full 4 minutes and 15 seconds. To ensure he ended at the right place, Zoot Money kept count throughout the solo and gave him the cue out at bar 189
Ronnie Earl and his band recorded “live in concert” during their European tour ’93. High-energy blues at its best. If you’ve seen him ‘live’ you know what I am talking about.
Especially for the lovers of straight blues guitar, this album will be more than a welcomed addition to their Ronnie Earl collection.
I always thought that he was best in a live situation, on stage, facing a supportive audience. We tried to capture that special feel, and the high energy of a Ronnie Earl performance.
A treat for all lovers of hard-drivin’ guitar blues, performed by one of the greatest guitar players on planet earth.